Love and political passion shared between an activist and his punk singer girlfriend goes to extremes as violent repression pushes them over the edge.

Body Language is an American game show produced by Mark Goodson Productions. The show aired on CBS from June 4, 1984 until January 3, 1986, and was hosted by Tom Kennedy. Johnny Olson announced until his death in October 1985; Gene Wood and Bob Hilton shared the announcing duties afterward, and had substituted on occasion before that.The show pitted two teams against each other, each consisting of a contestant and a celebrity guest. The gameplay centered around the party game charades, in the same vein as the earlier Goodson program Showoffs, but contestants also had to solve word puzzles to win money, making Body Language a cross between Showoffs and Password Plus.

A woman who excels at reading body language realizes that something is deeply wrong during a quiet night at home, turning a peaceful night into a terrifying fight for her own survival.

Body Language is an American game show produced by Mark Goodson Productions. The show aired on CBS from June 4, 1984 until January 3, 1986, and was hosted by Tom Kennedy. Johnny Olson announced until his death in October 1985; Gene Wood and Bob Hilton shared the announcing duties afterward, and had substituted on occasion before that.The show pitted two teams against each other, each consisting of a contestant and a celebrity guest. The gameplay centered around the party game charades, in the same vein as the earlier Goodson program Showoffs, but contestants also had to solve word puzzles to win money, making Body Language a cross between Showoffs and Password Plus.

Following a failed engagement, Lou discovers she has a talent for writing other people’s wedding vows. Word spreads across Chicago’s wedding scene and Lou’s services are in high demand. She even has a new admirer in Dash. But everything changes when she’s asked to write vows for Olivia, who’s marrying Warren, Lou’s old college flame.

A broken camera and three rolls of film, two daylight and one tungsten, capture days with Eva. The version of the woman on celluloid is more foreign to her than to me, and the version of herself speaking these languages is more foreign to me than to her, but both are not fully in our grasp and slip away and decay. They do not belong to either of us but to time—much like how languages are imperfect and adapt to the needs of those who speak them. 　　Time causes disintegration, wherein different variations and versions emerge. Because of physical separation, my grandmother slowly forgets her native tongue and the languages she spoke as a child, mirroring the movement and transformation of living languages. The act of remembering brings back these decomposing versions of past selves, selves that never were or briefly were, then hidden away but not discarded. The film intentionally chooses to leave all sequences unsubtitled.

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When he learns that his daughter is to be engaged to the son of a rich businessman, Leon Martin realizes that extreme measures are needed to create a good impression.

Mark Stewart (born 1960) is a British musician and founding member of The Pop Group. A pioneer of post-punk and industrial hip-hop, he has recorded for On-U Sound Records and Mute Records. The film retraces the singer's steps and paths from the early days of The Pop Group right up to the present. Schifer, who followed Mark around for a full two years, has crafted a detailed, often intimate portrait of the artist, supplemented by interviews with a. o. Mark Stewart himself, Adrian Sherwood, Daniel Miller (Mute), Nick Cave, Mick Harvey, Doug Wimbish, Skip McDonald, Keith LeBlanc, Douglas Hart (The Jesus & Mary Chain), Fritz Catlin (23 Skidoo), Gareth Sager (The Pop Group, Rip Rig and Panic) and many others, plus live recordings and music clips.

4 hours featuring all-girl 3-ways!